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behold, the peripheral deconstruction of nature

bouquets of halogen hyacinth and neon narcissi

laid on gold vermeil alters insulated with asbestos

prayers texted / emoji confessions

to electric god’s via spiritual wifi

polyurethane perfumes and carbon corsets

strangle the ancient tree’s for the last remnants of fruit

intimacy bottled like insulin / love in LED

mercury oceans and bird song’s at dawn in autotune

welcome to the future

welcome to the end


a. duncan, 2017


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"She would fill endless notebooks with stories about the characters in her life, their impressions, words, friends, lovers, inspirations, fantasies. She spent her days dreaming up worlds where they fit together in visions; the if only, the never again, the someday. Those who knew her best would describe her as a creature with a clear and sometimes painful sense of herself; furious with ideas and convictions, to a point that she frightened love away with discernment and a relentless strength of character."

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